"combining as she did the outward purity of a Renaissance angel and a voice of powerful sensual warmth and excellent musicality" 
-Anne Midgette, The New York Times

"gifted young mezzo-soprano Sasha Cooke, as Kitty Oppenheimer, was able to create a fresh, vital portrayal, bringing a luminous tone, a generously supported musical line, a keen sense of verbal nuance, and a flair for seduction"                 -Alex Ross, The New Yorker

"sung with aching, wistful intensity" -Anthony Tommasini, The New York Times

"has a thrilling, dramatic voice that matches the color of her luxuriant dark red hair, and the empathetic ability to live inside these poems and articulate their variegated emotional shadings"  -Lloyd Schwartz, The Phoenix

"did a magnificent job of mixing blues phrasing with the refined timbre of upscale modernism"
-Allan Kozinn, The New York Times

"of genuine magic there was only one moment all night: the aria of the Sandman, as sung by Sasha Cooke" -John Yohalem, Opera Today

"she remained completely engaged, a play of emotions flickering across her face as the music changed behind her...It is exciting to hear an excellent voice supplemented by a sharp mind and good taste"              -Charles Downey, Ionarts

"with her honeyed voice and almost theatrical presence onstage, Sasha Cooke seemed an ideal interpreter"            -Bruce Hodges, MusicWeb


 
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